| Biografi | |
|---|---|
| Kelahiran | 16 Januari 1943  (83 tahun)Coventry |
| Data pribadi | |
| Pendidikan | Royal Academy of Music Royal Birmingham Conservatoire (en)  |
| Kegiatan | |
| Pekerjaan | penggubah lagu,pedagogue (en) |
| Bekerja di | Universitas Stanford Universitas Chicago Hochschule für Musik Freiburg (en) |
| Genre | Opera dan musik klasik |
| Murid | Toshio Hosokawa, Haukur Tómasson (en) , Anders Hillborg, Chaya Czernowin (en) , Kaija Saariaho dan Magnus Lindberg |
| Instrumen | Trompet |
| Karya kreatif | |
Karya terkenal
| |
| Murid doktoral | Mark Applebaum (en) |
Penghargaan | |
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Brian John Peter Ferneyhough (/ˈfɜːrnihoʊ/;[1][2] lahir 16 Januari 1943) adalah seorang komponis Inggris, yang bermukim di California sejak 1987. Ferneyhough biasanya dianggap sebagai figur utama gerakan New Complexity.[3][4] Ferneyhough mengajar komposisi di Hochschule für Musik Freiburg dan University of California, San Diego. Ia juga mengajar di Universitas Stanford dan menjadi dosen tetap pada kursus-kursus musim panas di Darmstädter Ferienkurse.
Daftar pustaka
- Ferneyhough, Brian. Brian Ferneyhough by Brian Ferneyhough. Paris: L'Age d'homme OCLC21274317 (French)
Referensi
- ↑ Matthias Kriesberg, "A Music So Demanding That It Sets You Free" The New York Times (8 December 2002). "Ferneyhough (pronounced FUR-nee-ho)"
- ↑ Pronouncing Dictionary of Music and Musicians Diarsipkan 5 Mei 2010 di Wayback Machine "FUR-nih-ho"
- ↑ Annie Darlin Gordon (19 November 2012). "Brian Ferneyhough's Cassandra Dream Song (1970)". Diakses tanggal 25 Januari 2013.
{{cite web}}: Pemeliharaan CS1: Tanggal diterjemahkan otomatis (link) Pemeliharaan CS1: layanan pengarsipan yang sudah usang (link) - ↑ "Archived copy". Diarsipkan dari asli tanggal 2013-11-01. Diakses tanggal 2013-01-25.
{{cite web}}: Pemeliharaan CS1: Salinan terarsip sebagai judul (link)
Sumber
- Boros, James; Toop, Richard, ed. (1995). The Collected Writings of Brian Ferneyhough. Amsterdam: Harwood Academic Publishers. Review by Ian Pace, Tempo, January 1998
- Feller, Ross Alan (1994). Multicursal Labyrinths in the Work of Brian Ferneyhough (DMA thesis). University of Illinois Urbana-Champaign. OCLC 34051107.
Bacaan tambahan
- Bortz, Graziela. Rhythm in the music of Brian Ferneyhough, Michael Finnissy, and Arthur Kampela : a guide for performers. Ph.D. Thesis, City University of New York, 2003.
- Duncan, Stuart. "Re-complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the 'New Complexity' ". Perspectives of New Music 48, no. 1 (Winter 2010): 136–172.
- Pace, Ian (Januari 1998). "Review: [untitled]". Tempo. New Series (203): 45–48, 50–52. JSTOR 946283.
{{cite journal}}: Pemeliharaan CS1: Tanggal diterjemahkan otomatis (link) Reviewed works: Brian Ferneyhough – Collected Writings, edited by James Boros and Richard Toop. Ferneyhough: String Quartet No. 4; Kurze Schatten II; Trittico per G. S.; Terrain, Arditti Quartet with Brenda Mitchell (sop); Magnus Andersson (gtr); Stefano Scodanibbio (db); Irvine Arditti (vln) with ASKO Ensemble, c. Jonathan Nott. Disques Montaigne MO 7 82029. Ferneyhough: Prometheus; La Chute D'Icare; On Stellar Magnitudes; Superscriptio; Carceri d'Invezione III. Luisa Castellani (voice); Félix Renggli (fl); Ernesto Molinari (cl); Ensemble Contrechamps, c. Giorgio Bernasconi, Zsolt Nagy, Emilio Pomarico. ACCORD 205772. - Rosser, Peter. "Brian Ferneyhough and the 'Avant-Garde Experience': Benjaminian Tropes in Funérailles". Perspectives of New Music 48, no. 2 (Summer 2010):114–151.
- Schick, Steven. "Developing an Interpretive Context: Learning Brian Ferneyhough's Bone Alphabet" (Subscription access). Perspectives of New Music 32, no. 1 (Winter, 1994): 132–153.
- Tadday, Ulrich (ed.). "Brian Ferneyhough". Munich: Edition Text+Kritik in Richard Boorberg Verlag, 2008. (German)
- Tadday, Ulrich (2008). "Brian Ferneyhough". Musik-Konzepte. Neue Folge (dalam bahasa Jerman) (140). München: Edition Text + Kritik. ISBN 978-3-88377-918-8.
{{cite journal}}: Pemeliharaan CS1: terbitan berkala memiliki ISBN (link) - Toop, Richard. "Brian Ferneyhough's Lemma-Icon-Epigram". Perspectives of New Music 28, no. 2 (Summer, 1990): 52–100.
- Toop, Richard. "'Prima le Parole...' (On the Sketches for Ferneyhough's Carceri d'invenzione I–III)". Perspectives of New Music 32, no. 1 (Winter, 1994): 154–175.
- Whittall, Arnold. "Connections and Constellations". The Musical Times 144, no. 1883 (Summer): 23–32.
- Williams, Alastair. "Adorno and the Semantics of Modernism". Perspectives of New Music 37, no. 2 (Summer 1999): 1–22.
Pranala luar
Biografi
- Info at Brian Ferneyhough's publisher, Edition Peters – includes biography, works and selected discography
- Info at Stanford University Department of Music Diarsipkan 2013-11-02 di Wayback Machine
- Living Composers Project
Wawancara
- Interview (SOSPESO)
- NewMusicBox cover: Brian Ferneyhough in conversation with Molly Sheridan, 22 July 2005 [http://epc.buffalo.edu/authors/bernstein/shadowtime/tp://www.newmusicbox.org/article.nmbx?id=4343 (video excerpts), from NewMusicBox
- An Interview with Brian Ferneyhough by Felipe Ribeiro, James Correa, Catarina Domenici (Search Journal for New Music and Culture; Summer 2009)
Artikel
- The Experience of Complexity by Larson Powell (Search Journal for New Music and Culture; Summer 2010)
Film
- Electric Chair Music / Time & Motion Study II; (film by Colin Still, cello: Neil Heyde, electronics: Paul Archbold)
Lain-lain
Templat:ContemporaryMusicOnline
- "Biografi Brian Ferneyhough" (dalam bahasa Prancis). IRCAM.
- Brian Ferneyhough di Curlie (dari DMOZ)